In a previous post I rehearsed some arguments about why direct to stereo recording may be a desirable recording method. There are two main reasons for this, the first is that it gives a chance to capture a live performance giving the listener all the subtlety of musicians making music together, the second is that our hearing skills are sensitive and subtle. It is, I believe this second aspect that makes highly produced recordings sound “wrong”, “unnatural” or fatiguing to listen to.
Human hearing is an incredibly powerful sense, not as precise as bats or dogs but still a powerful tool,
- We can distinguish the voices of different people with amazing accuracy even over the restricted bandwidth of a telephone
- Mothers can tell the cry of their own baby from others even over great distances
- We can place the origin of sounds in space with great accuracy, as long as both ears are working
These skills are there for almost all of us not just musicians or recording engineers. We may not be aware of them or consciously use them but they are there. They are vestiges of important survival skills from the history of our evolution. They used to be vital for hunting and avoiding being hunted by predators and human enemies. These skills are not analytic but we know when something sounds wrong and it can be unsettling. Continue reading Hearing When It’s Wrong and Using Reverb to Tie it All Together