I’ve got myself embroiled in a discussion in the LinkedIn Music Producers group about whether Pro Tools (and digital multitrack recording in general) is a retrograde step in terms of record production. The seed of the discussion is a quote from Joe Boyd in the September issue of Mix magazine,
You could say that 2-track recording is the purest […]
There is a tendency among musicians to value technical facility when discussing favourite players. Outrageous, difficult and esoteric passages often played at stupidly fast tempos and sometimes in unusual time signatures are fun to discuss, but it’s largely an intellectual exercise. The folks who are the most fun and the most valuable to have in your […]
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